SINBAD: LEGEND OF THE SEVEN SEAS

Sinbad: Legend of the Seven Seas" plays like a fire sale in three departments of the genre store: Vaguely Ancient Greek, Hollywood Swashbuckler and Modern Romance. That it works is because of the high-energy animation, some genuinely beautiful visual concepts and a story that's a little more sensuous than we expect in animation.

ADVERTISEMENT

Sinbad, whose voice is provided by Brad Pitt, is a sailor and pirate whose name and legend have been stretched to accommodate an astonishing range of movie adventures. This time we learn he was a resident of Syracuse, a commoner friend of Prince Proteus (Joseph Fiennes), and left town after his first look at Proteus' intended, Marina (Catherine Zeta-Jones). "I was jealous for the first time," he remembers.

Sinbad runs away and finds a career commanding a pirate vessel with his first mate, a stalwart giant named Kale (Dennis Haysbert). They have indeed sailed the seven seas, all right, if we're to believe his talk of retirement in Fiji. Considering how far Fiji was from Greece in the centuries before the Suez Canal, we rather doubt he has really been there, but no matter: Maybe he's been talking to real-estate agents.

As the film opens, Sinbad's pirate ship attacks a ship commanded by Proteus, who is in possession of The Book of Peace, a sacred volume of incalculable value to the future of Syracuse. This attempted theft goes ahead, even though the two men are old friends and happy to see each other; a pirate is never off duty.

Sinbad's scheme is interrupted by Eris (Michelle Pfeiffer), the Goddess of Chaos, who likes to mix things up and creates a gigantic sea monster to threaten both ships. The battle with the seemingly indestructible monster is one of several astonishing sequences; the others involve sailing off the edge of the world; Tartarus, the realm of the dead, which awaits them over the edge, and a winter vastation presided over by an awesome snow bird. These scenes are animated so fluidly, and envision strange sights so colorfully, that there is real exhilaration.

The story, directed by Patrick Gilmore and Tim Johnson and written by John Logan, involves the shape-shifting, deceptions, switches and parental ultimatums much beloved by legend. It also exploits the tendency throughout Greek legend for the gods to interfere in the affairs of man. As flies to wanton boys are, Sinbad is to Eris. Although Sinbad did not actually steal The Book of Peace, the meddlesome Eris impersonates him, and he seems to steal it, and Sinbad is taken prisoner and condemned to die by King Dymas, father of Proteus. Sinbad protests his innocence, Proteus believes him and offers himself as hostage to free Sinbad to sail off in search of the book. There's a 10-day deadline.

Here's where the sensuous stuff ramps up. Marina, who says she has always wanted to go away to sea, stows away on Sinbad's ship, and that comes in handy when all of the sailors on board are bewitched by seductive Sirens. A female immune to their charms, Marina takes the helm, saves the ship and furthers the inevitable process by which she falls in love with Sinbad, who, as the character with his name in the title, of course must get the girl.

The scene where the ship sails off the edge of the word to the land of Tartarus involves physics of a nature that Archimedes, a famous native son of Syracuse, would probably not have approved, but what wondrous visuals, and what a haunting realm they discover, filled with the hulls of wrecked ships and the bones of doomed sailors. "Sinbad" is rich with ideas and images, and exploits the resources of mythology to create such creatures as the snow bird, who at one point locks Syracuse in a grip of ice.

Syracuse itself, for that matter, is a magically seen place, a city of towering turrets atop a mountain range. When Sinbad returns, it is to deal with the crucial question of whether Marina will return to her betrothed or stay with him. This is handled with great tact in a conversation in which both men agree that her basic motivation is to sail away and see the world, although she also, I suspect, has a burning desire to see the bunk in Sinbad's cabin.

"Sinbad: Legend of the Seven Seas" is another worthy entry in the recent renaissance of animation, and in the summer that has already given us "Finding Nemo," it's a reminder that animation is the most liberating of movie genres, freed of gravity, plausibility, and even the matters of lighting and focus. There is no way that Syracuse could exist outside animation, and as we watch it, we are sailing over the edge of the human imagination.

Feng Shen Ji

Hello and welcome to the first iteration of Manga Reviews by Vonsopp. This will be a series showcasing Asian Comics that are off the beaten path of a Manga reader, and they will serve to enrich your Manga reading portfolio. This review will have multiple aspects of review and an eventual grading/raring system based on my opinion, which will also govern the series that are presented. There will be usually one of three types of series explored: Manga for Japanese series, Manhua for Chinese comics, Manwha for Korean series and webtoons. With all that said, let's begin!

Now, the series that will be explored today is a magnificent specimen named Feng Shen Ji. The author of the series Zheng Jian He, whose works included Wolf & Mary and primarily focusing on FSJ, artist is Tang Chi Fai, whose works also included Wolf & Mary and an incomplete series by the name Sea Tiger. It is a Manhua, which are Chinese comics. Feng Shen Ji, or FSJ going forward, is currently an ongoing weekly series with a chapter count of 116 that has many genre tags, but the important ones to take away are that it is a Seinen series, and it explores the dynamics seen in many Shonen books. What that means for the reader is that you get the best of both worlds. You get to see a character’s growth be explored in an uninhibited fashion where most Shonen typically are restricted with barriers they will not cross.

The premise of the Series is a universe where mankind lives in a world where they are in contact with gods and these gods oversee the humans and expect for them to harvest Bloodstones for them. The series starts with a human defying the gods and the retribution that soon followed by the opposing humans and subsequent assistance from the gods. Then, the story shifts to following the son, and this is where the series truly begins. The series, if it could be compared to anything, is God of War incarnate. The series follows a man bent on revenge, a dish served with a fist in the face....multiple times. The universe flows and maintains a consistency that many average Shonen fans would come to appreciate. With each chapter the plot and stakes seemingly escalate out of control. The key in FSJis the lack of predictability. One cannot properly make a conclusive statement on how things will resolve themselves. This is one of the best components. The series has actual depth in the structure of the characters and arcs in the relationships.

FSJ’s art style is a stark difference to most mangas, particularly because FSJ is all color. Every single aspect of the series is embellished in vivid colors allowing the reader to get the full spectrum of what is taking place in each panel. There are some who disapprove of color in Manga, but I am on the fence. For this series, it works wonderfully as the universe requires the colors to exemplify the diversity of each character and their myriad of abilities. The fusion of color spreads and the diverse quality of abilities makes for epic battle that only continue to rise in stakes. As a whole the series manages to maintain its sense of balance that many other series tend to lose when dealing with such unique content.

This series is teeming with mouth watering action. With that said, let’s talk about the diversity of the powers in this series. There are 4-5 main branches of abilities and within each branch is a plethora of individual powers. You see powers from Lightning to the conjuring of something like a megaman buster cannon. The battles range from simple hand-to-hand to earth shattering abilities and summons. There is a system of checks and balances even as the plot escalates. The beauty of the series lies in not knowing a person’s ability, or their level of mastery behind it.

The characters in the universe are fleshed out well, the dynamics flow well, and the characters have a lasting impression. Many times the “supporting” roles take the helm in plot importance and allow the reader to immerse themselves in not just the main characters growth but the other characters as well.

This series is very much worth the read. It has everything to please action driven readers. It is a series that I deem near perfect; the only thing stopping it from perfection is the fact the series is not complete.